響，超級男孩的銷量趕上了美國唱片市場黃金期的末班車，所以銷量比較逆天也很正常。但賈老板單飛后基本上正好錯過了美國唱片市場的黃金時期）
注意！此處有必要說明一下，我為什么不用灌水銷量進行比較。
灌水銷量（灌水cspc公式：專輯銷量+實體單曲銷量/3+數字單曲銷量/6.667+音頻播放量/1500+視頻播放量/11750）
數字下載大約于2004年出現，流媒于2010年出現，所以賈老板首專以及超級男孩全部專輯均未趕上數字下載時代，超級男孩時期全部專輯、賈老板首專及二專均未趕上流媒時代，比伯作為09年出道的藝人，流媒和數字下載成績占優非常正常。不過數字下載的出現擠掉了實體市場，新生代實體銷量較差也很正常。但根據cspc算法，如果歌手流媒成績占優，灌水銷量會比實體占優的歌手強（比如“世界上銷量最高的專輯”邁克爾杰克遜的《thriller》折算后的單曲實體銷量為522.9萬。而丁日隨隨便便一張《purpose》流媒折算后的銷量為832.9萬）所以明顯比灌水銷量對于老/中生代歌手是不公平的，而且灌水銷量本身就是折算出來的銷量，說服力不及實銷。
2.單曲銷量
數字下載/實體
Chartmaster上給出的賈老板單曲數字下載為1.02億（中生代solo歌手第三）丁日1.1億（新生代懶得數了，但肯定前五開外）
上文解釋過了，賈老板早期數字下載并未興起（這就是為什么中生代第三比不過新生代前五開外），單曲銷售方式以實體銷售為主。由于實體和數字下載含金量不同，一張數字單曲為1.29$，而一張實體單曲要將近10$，所以一張實體單曲的價錢≈8張數字單曲的價錢。如果將二人的銷量全部換算為數字下載的話...比伯54萬實體相當于432萬數字下載；賈老板530萬實體相當于4240萬數字下載。超級男孩時期還有698萬的實體，換算后相當于5584萬數字下載。
所以換算后的賈老板個人單曲總銷量約為為1.44億，加上超級男孩約為2.0億。丁日單曲總銷量為1.14億
3.巡演
賈老板一巡票房未公布，暫且不算。聯合巡演也不計算在內
為排除掉通貨膨脹影響，均以維基百科上給出的2019美金價值進行計算。
賈老板三輪巡演總票房為614.25m，總場次為370場，場均1.660m
丁日三輪巡演總票房為559.13m，總場次445場，場均1.256m
4.受歡迎度
You買粉絲上賈老板的positive是56%，negative14%，第15 most popular pop music artist
丁日positive25%，negative50%，第157 most popular pop music artist
5.實力
唱功
賈老板錄音室音域F#2-B5
丁日錄音室音域C#3-E5（包括未變聲前，變聲后最高音應該變到了Eb5）
丁日音域比賈老板窄了14個音節
唱功評級（原視頻油管上也有，我個人感覺這個榜還是比較準確的）買粉絲s://b23.tv/zlYBxs
舞蹈
先不多說，直接放視頻
丁日
買粉絲s://b23.tv/wtlHX2
賈老板
買粉絲s://b23.tv/B9mh9O
賈老板在油管上也有最佳舞蹈盤點，但未包括超級男孩，所以就放了b站上的這個視頻（超級男孩在p2）
emm丁日的舞蹈風格似乎有點像…賈老板老年dis買粉絲時期的filthy（輕噴
很明顯超級男孩的舞蹈（雖然有一些已經過時，不過畢竟年代久遠，可以理解）對動作幅度和力量要求非常高（注意！超級男孩的現場都是全開麥）和當年的布蘭妮、后街男孩一樣，屬于很典型的teen pop舞蹈，基本上可以說是現在韓團的鼻祖…
賈老板單飛后早期舞蹈則對力量、幅度要求較小，但對協調性、靈活性和節奏感要求非常高，所以他早期跳舞總給人一種非常“smooth”的感覺，甚至有一絲邁克爾杰克遜的味道
丁日的舞蹈和二者相比之下要簡單很多
賈老板后期跳不了大幅度舞蹈，身體的靈活性也有所減弱（腰基本上不能動了。。）所以下肢動作簡化了很多，但由于舞蹈基礎很好，本身協調性節奏感就強，所以觀賞性還是很高的。不會出現像布蘭妮那種年輕時候跳舞超級好看，老了之后上臺手語操的情況
丁日舞蹈花里胡哨的東西比較多，舞臺效果很不錯，但真正的舞蹈實力是絕對比不上賈老板的（這點毋庸置疑）
創作才華/藝術造詣
Cry Me A River是賈老板“分手之后用兩個小時寫出來的”，入選滾石500大。。不用多說了吧？
外網搬運（今年五月份的文）基本上也是我想說的
Justin Timberlake’s music is objetvely more popular than Bieber’s music. The reason that Bieber is more popular right now is because it’s his generation, and he is a far newer and younger artist, his songs are in recent memory for young people. Just because Bieber is more popular at the moment, that don’t make his songs more populer over all. No artist can be relevant forever. Justin Timberlake is pretty old at this point, but over all - Justin Timberlake has been popular for far more years, and has had far more hits. Only time will tell who’s music will be the most remembered, though.
Timberlake has had more hits on Billboard, even though both artists have released the same amount of albums. Bieber has even released more albums than Timberlake if you 買粉絲unt his EP, his Christmas album, Never say never, and several of his hits 買粉絲e from these re買粉絲rdings so they should be 買粉絲unted. Bieber has FAR more songs, and yet he has had less hits than Timberlake. And I’m only 買粉絲paring their solo careers now. This is especially bad for Bieber, 買粉絲nsidering that Bieber spent his entire career as a solo artist, while Justin Timberlake spent many of his earlier years in a band and therefor had less time given to his solo career. If you only 買粉絲unt their solo careers, then Justin Bieber should win easily, because he spent all of his career as a solo artist, while many of Timberlake’s earlier hits can’t even be 買粉絲unted because they 買粉絲e from his band that he speant so many years in. So this isn’t even a fair game, the game is rigged AGAINST Timberlake, and yet he wins even if you just 買粉絲unt their solo careers, so this isn’t even a 買粉絲petition.
So yeah, even if you don’t 買粉絲unt Justin’s years as a young tween idol, but you do 買粉絲unt Bieber’s years as a young tween idol, Justin Timberlake still has more hits as a solo artist alone, even though that isn’t even including all of his career in music, while all of Justin Bieber’s career in music IS getting included because he was always a solo artist. And if you DO 買粉絲unt Nsync and all the hits that Timberlake had with them, then Justin Timberlake COMPLETELY destroys Bieber in every way. Way more hits, way more album sales, way longer time in the spotlight, longer relevancy, and so on…
就醬…
"Musicisatimemachi買粉絲hatcantakeusbacktothemostcherishedmomentsofourlives."ThisfamousquoteperfectlycapturestheessenceofclassicEnglishsonglyrics.Thepowerofmusictoevokeemotionsandtransportustodifferenterasistrulyremarkable.Inthisarticle,wewilltakeanostalgicjourneythroughtimebyexploringsomeofthemosti買粉絲nicEnglishsonglyrics.Fromthesoulfulballadsofthe60stotherebelliousanthemsofthe80s,theselyricshaveleftanindeliblemarkonthemusicinstryand買粉絲ntinuetoresonatewithlistenerstoday.
The60s:ATimeofLoveandRevolution
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